Today we have Dylan in the FOURfront in four -- count 'em -- four frames, with Dante as mere background. Now, it's not often that one would call Dante "mere", but in this case he serves as a colourful backdrop for Dylan's quirky mancatliness.
Dante is at the foot of the tree watching (what else?) squirrels. Dylan then takes a speCATor seat under the deck bench.
I couldn't help but notice the opportunity for some great shots under the bench, framed by the seat and the deck floor. Dylan does this wide-eyed look of innocence, just for the camera. And Dante adds such a nice juxtaposition of colour, don't you think?
Dylan relaxes a little more in this one, while Dante's still a study in still life.
And then something catches their attention giving me a small window to capture these profiles in unison!
So, in the end, it's all FOUR one and one FOUR all -- and that's how it should be, anyway.